High quality 2-channel embedded audio or balanced XLR analog audio can be assigned to any recording channel. Ki Pro GO also features AJA's high quality de-interlacers on each input so progressive recordings can be made from interlaced inputs. Incoming video sources do not have to be genlocked due to Ki Pro GO's input frame syncs. Ki Pro GO is a portable multi-channel H.264 recorder offering up to 4-channels of simultaneous HD and SD recording to off the shelf USB drives and/or network storage with redundant recording capabilities.Ĥx 3G-SDI and 4x HDMI digital video inputs with flexible channel assignments provides connections to the latest video sources, including cameras and DSLRs. Internal frame synchronizers eliminate the need for sources to be genlocked, which can be especially useful when setting up live events. Ki Pro Ultra 12G even allows rollover to a second PAK for hours of uninterrupted multi-channel recording. Starting with input 1, add channels as needed in order when utilizing like raster size and frame rate, and record your HD Apple ProRes files on the same AJA PAK media*. Ki Pro Ultra 12G even allows independent profile support per channel in Multi-Channel mode for example, select high resolution Apple ProRes HQ for high quality finishing and use a second input to record Apple ProRes (Proxy) for an efficient editing pipeline. Simplify your multi-camera productions by running up to four cameras per Ki Pro Ultra 12G and save power, space, time and effort on set, in the studio and when setting up OB trucks. Record 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50/60 in Apple ProRes simultaneously with Ki Pro Ultra 12G – without the need to genlock the sources. New v2.0 firmware adds the ability to record genlock free sources with frame sync support on inputs.ĭesigned to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro Ultra 12G is well suited for use in any environment. For distance and remote needs, 12G and 3G Fiber SFP+ options are available. Ki Pro Ultra 12G offers 12G-SDI single cable simplicity for large rasters up to full 4K, (the 4x 3G-SDI inputs/outputs can be used for Quad Link operations as required) and HDMI 2.0 digital video connectivity with HDR support for both recording and playback.Ī wealth of analog and digital audio connectivity answers any project’s demand for efficient, powerful and flexible workflows. Avid DNxHD® MXF is also supported up to HD formats in Single-Channel mode. Ki Pro Ultra 12G is a multi-channel Apple ProRes® recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode, a 4K/UltraHD/2K/HD Apple ProRes or Avid DNxHR® recorder and player. The graphics system is equally impressive - The system stores 90+ images in its internal, non-volatile memory. There are 10 layouts stored in each preset, so the user recalls the show’s preset and can then switch between those 10 layouts at will. Layouts are stored in one of the 20 Presets, allowing users to recall all of the parameters needed for a specific purpose. The system can accurately switch from one layout to another frame, allowing the user to “cut” between layouts during a streaming session. In this way, the graphic can be keyed over the dual PiP images, which are “over” a flat matte background. The system also has an internal matte generator, which can be used as the background. Effectively, each live video source can be used in its picture-in-picture (PiP) element. In addition to the layering engine, both the SDI and the HDMI layers can be arbitrarily downscaled and positioned anywhere in the frame. The layout can have up to 3 layers, and their priority can be arbitrarily adjusted to suit the customer’s needs. A layout enables the user to combine the SDI input and the HDMI input into a single output stream and then add a graphic (video + key) into that composite. HELO Plus brings the exciting layouts feature, allowing multiple inputs to be combined into a single screen with a graphic element overlay.
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